Metal revolt: The modern and durable alternative metal jewellery industry

Gold, silver and platinum will always have the strongest presence in the modern jewellery industry, so their cousins in the alternative metal jewellery sector can…

Gold, silver and platinum will always have the strongest presence in the modern jewellery industry, so their cousins in the alternative metal jewellery sector can often find themselves sidelined or regarded as inconsequential. But the grey metals have their own important place in jewellery. So here we give the alternative metal jewellery industry some of the limelight with input from four experts in the Australian and New Zealand jewellery industry.

Alternative metals such as stainless steel, titanium, tungsten, cobalt and zirconium have always had their unique place in the jewellery industry, fitting that place between costume jewellery and precious metal jewellery. In a 2017 science journal article titled “Use of Titanium and Tungsten as an Alternative to Gold in Jewellery Manufacturing”, the authors said that while the majority of jewellers use noble metals for manufacturing their jewellery, the price rise of these noble metals in recent years demands innovation, and one of those avenues that could be adopted could be the use of non-noble metals.

Attractive price point and unique features

The authors of that article went on to say that pursuing alternative metals would not only decrease the cost of raw materials, but also develop products with new and innovative design. This is a belief shared by most of our contributors.

“For example, tungsten is ten times stronger than gold making it the perfect ring for someone who may otherwise damage their ring,” he said.

“Titanium is another material that is stronger than gold and is also extremely lightweight making it a great comfortable option for people who are not used to wearing jewellery.”

Artifact is a New Zealand-based jeweller who specialises in making titanium and Damascus steel rings. Director Ted Daniels shared similar sentiments as those above, stating that alternative metal jewellery is more cost-effective, and consumers like them as a point of difference. As for material qualities he said titanium is durable, harder-wearing and hypoallergenic, but conversely it is hard to work with, requires specialised equipment and skills, and manufacturers are restricted in their designs.

Ellani Collections is a New South Wales-based silver and stainless steel designer jeweller and co-director Paul Hicks echoed the price point advantage of alternative metal jewellery.

“Alternative metal jewellery can be produced at a lower cost enabling it to be marketed at affordable retail price points with good retail margins,” he said.

Darren Roberts of Cudworth Enterprises believes that the points on durability and price ensure that the alternative metals settle more naturally into the men’s jewellery market than the women’s.

“Stainless steel performs more strongly in the men’s market,” he said, “while women typically prefer sterling silver or gold. Stainless steel can also handle the way men tend to look after their jewellery,” he added. “The advantage to the alternative metals is price point. The disadvantage is that they cannot always be melted down and remade, and rings cannot be resized.”

Showcase Jewellers Buying Group is Australasia’s premier buying and marketing group, representing over 250 independent jewellery stores across Australia and New Zealand, and chief operations officer Nicola Adams noted the positive marketing potential alternative metal jewellery had. She said that most of the alternative metal jewellery is attached to branded jewellery ranges, and thus the marketing drives sales for the product more than the metal.

“This fast fashion category needs to be affordable, so consumers can buy new products continually,” she said.

“Alternate metals suits for this reason.”

Alternative, but can it be luxury?

When compared to their precious metal cousins, one may think it impossible for a stainless steel or titanium ring to be considered a luxurious piece of jewellery. Nicola believed it was not the jewellery’s metal, but the brand’s positioning where the consumer’s idea of whether a piece of alternative jewellery is a luxury product or not.

“I think it can if the brand it is being presented by is already positioned as a luxury brand,” she said.

On a similar note, Paul remarked that the concept of luxury is subjective and often up to the consumer.

A piece of jewellery can hold a strong sentimental value that carries a story or a memory, it is not always the purchase price,” he said.

“Retailers that cater to consumers of different age categories that have different levels of disposable income on their journey through life can develop strong relationships and loyalty from consumers that see them coming back when they are in a position or stage of life to make the more expensive jewellery purchases.”

Ted pointed to Artifact’s Damascus ring with a gold inner as an example of a luxurious alternative metal jewellery piece.

“Also adding diamonds will make them upmarket and luxurious,” he said.

Darren felt the country of origin often had a big impact on the impression of luxury, with countries such as Italy and Germany having reputations for craftsmanship and design.

Dissenting, Jamie said he did not believe alternative jewellery could be considered luxury, but he also believed that was part of the appeal.

“Alternative jewellery is sold at a price point that is affordable to everyone,” he said.

A bright future for the grey metals

Alternative metals have opened up the world of fashion jewellery to many different price demographics as jewellers and designers use new and non-traditional materials to create their pieces. This makes for an exciting time for jewellers and jewellery lovers alike. Indeed Jamie believes the future in this field is very exciting and full of opportunity.

“We have only scratched the surface of how alternative metal can be used and the materials we are using,” he said. “There may come a day that it would no longer be tagged as alternative.”

Cudworth Enterprises, which this year celebrates 100 years since the original company was registered, offers a wide range of products in alternative metals and believes the growth in the sector will continue.

“So long as alternative metal jewellery maintains strong design and quality, the future looks very strong,” said Darren. “We offer the largest range in Australia with a full range of categories of stainless steel jewellery with matching pieces.”

The days of ‘the other metals’ only being used in offerings of men’s rings are definitely over but the staples will always be on trend.

“Cufflinks, bangles and rings will always look good in alternative metals,” said Darren.

The alternative metal jewellery sales at Ellani Collections have seen strong growth, and Paul said he cannot see it slowing down in popularity.

JAA President’s message

In2021, the Jewellers Association of Australia is pleased and proud once again to bring the JAA Australasian Jewellery Awards to the industry; the longest-running local…

In2021, the Jewellers Association of Australia is pleased and proud once again to bring the JAA Australasian Jewellery Awards to the industry; the longest-running local design and manufacture awards in Australia. This is the 26th program of the Awards, which celebrates and recognises design, innovation, craftsmanship and marketability in the jewellery trade. They are the ultimate industry awards that reward creativity, skill.

Not only do the prestigious Awards give manufacturing jewellers a unique creative outlet to showcase their skills and talents on a professional and respected platform. It also allows industry participants an opportunity to reflect and evaluate themselves against others, as a result the Awards promote and foster the growth and talent in the industry.

On a local level, the Awards provides individuals the chance to exhibit their exceptional skill sets and design prowess to not only the industry but to consumers, through the JAA’s promotion of the Awards on social media to over 7,700+ followers, through the Awards e-publication and through the Winners’ Video Presentation, which in 2019 received over 2,400 views. On an international level, it gives an immeasurable opportunity for category winners to enter the International Jewellery Design Excellence awards in Hong Kong, competing across 27 countries and regions and showcased to nearly 52,00 buyers at the Hong Kong International Jewellery Show. Over the last decade, the Awards program has seen three Australian Awards entrants go on to an international stage; with Emily Snadden, Martyn Brown and Martin Linning, and Roberto Mattei being awarded in the International Jewellery Design Excellence Award in Hong Kong.

In 2019, I opened my office to the JAA to facilitate the judging day. As the JAA President this also allowed me to have a thorough look at the wonderful and exceptional pieces entered. I was extremely impressed with the calibre of not only the manufacturing skills but the innovation that continues to evolve in jeweller design. I am excited to see how this year’s entrants push the design envelope in 2021 along with demonstrating their skills in executing challenging technical elements. Year on year, comments from the judges’ centre around how difficult, yet fulfilling, it is to judge the varying design styles and techniques of the entries.

We thank our generous sponsors, who without their support our Awards program would not happen. We call on entrants and the wider industry to support such companies who back programs aimed at supporting the essence of our industry, manufacturing.

In addition to celebrating 90 years since the JAA’s founding in 1931, this year we will recognise finalists and winners at a pink 1930’s themed cocktail party on Sunday, 1 August in Melbourne. This event will be held at the same time of the inaugural Jewellery Industry Fair (www.jewelleryindustryfair.com).

So, will you be the one in 2021? Entries close on Friday, 9 July. Full details at jaa.com.au/awards.

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